Attack of the mer-LION

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Attack of the mer-LION

during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images.

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Revision r1.1 - 05 Jul 2005 - 13:17 -